He studied acoustic and electronic composition from 1968-73 at Cologne Music University as well as sonology from 1971-72 at Utrecht University. Santa Barbara, California 93106-4160. He is a founding member and co-PI for the NSF-funded Center for Nanotechnology in Society at UCSB. Ph.D. Massachusetts Institute of Technology, MAT and Computer Science. Any unlawful redistribution or reproduction of artwork featured on this site without prior express written authorization of the copyright owner is strictly prohibited. Department of Art Crerar 390, 5730 S. Ellis Ave., Chicago, IL, Assistant Professor, Media Arts & Technology and Computer Science. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. Jacobs works across the fields of computational art and design, human-computer interaction, and systems engineering. In the course of our research, we explore new methods to integrate iterative systems engineering with professional creative practices. To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. Proceedings of the ACM SIGCHI Conference on Human Factors in Computing Systems, Paris, France, April 2013. Records, Milan in 2019. Tim Dewar 0000002849 00000 n He initiated and in 1986 co-founded GIMIK: Initiative Music and Informatics Cologne and served as chair for thirteen years. He has unique experience in HDLAs (High Density Loudspeaker Arrays) through his work in the Sonic Lab in the Sonic Arts Research Centre and the Allosphere at UCSB. 3. 0000005031 00000 n In the same year, the founded the technology branch of Projekt Atol called PACT SYSTEMS where he developed one of the first Global Positioning Systems based participatory networked mapping projects, the Urban Colonisation and Orientation Gear 144. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. University of California, Santa Barbara - Cited by 16,662 - visual neuroscience . His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. The projects explore alternative, distributed and unintentional collaborations and expressions of these collectives. Elliot Hawkess research focuses on bringing together design, mechanics, and non-traditional materials to advance the vision of robust, adaptable, human-safe robots that canthrive in the uncertain, unstructured world. He received the Masters of Architecture at Ohio State university in 1983. Assistant Professor of Media Arts and Technology, University of California Santa Barbara. Candidates should have a solid technical background and a strong interest in art, design, or manufacturing applications of computation. A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. Cyborgs and Space. He is also the director of the MAT Systemics Lab, located in Elings Hall. 0000000696 00000 n Department of Art. Fax: (805) 893-8736 Jacobs . Assistant Professor of Media Arts and Technology, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems. Current projects involve bio-inspired microstructured adhesive materials, non-linear compliant mechanisms, high-power soft actuators,soft exoskeletons, and growing robots. He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. The EC2 project was realized by a team consisting of Roads as project manager, with software developers Jack Kilgore and Rodney Duplessis. Directs the Experimental Visualization Lab in Media Arts & Technology, Office: 2211 Elings Hall, lab: 2611 Elings Hall. Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 Professor Tague is currently modeling the impacts of climate change on stream-flow patterns in the western United States and examining how urbanization alters drainage patterns and associated biogeochemical cycling in watersheds in Baltimore, Maryland, and Southern California. 0000132831 00000 n He completed a postdoctoral fellowship at Stanford University, where he also earned his MS and PhD in Mechanical Engineering. Office: ED 2218, English-Language Arts sarahjacobs@ucsb.edu In 2004, he published his The Laws of Cool: Knowledge Work and the Culture of Information (Univ. He currently leads one of the CNSs research initiatives; this explores the history of nanotechnology and its place in the broader context of the 20th century science and technology. 0000007725 00000 n In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. Office: ED 3243, Mathematics We couldn't do it without you, our amazing faculty and staff members. In 1994, when he started his Voice of the Shuttle Web site for humanities research, he began to study information culture as a way to close the circuit between the literary or historical imagination and the technological imagination. Christina Tague's research is focused on the interactions between hydrology and ecosystem processes and, specifically, how eco-hydrologic systems are altered by changes in land use and climate. and B.F.A from Hunter College and the University of Oregon respectively. Despite this trend, computational and manual forms of creation are not mutually exclusive. During the series of World Information.org projects, he has installed several communications mapping and interception systems and projects and his research led him to map the command and control communications networks and response during the Srebrenica genocide. Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). Metallurgical and Materials Transactions A: Physical Metallurgy and Materials Science. Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. Her recent work focuses on progamming language and runtime support for cloud computing. Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. 735 0 obj <> endobj xref His book, Microsound (2001, The MIT Press) presents the techniques and aesthetics of composition with sound particles. She works across the fields of computational art and design, human computer interaction, and systems engineering. Lab: room 3005 (Systemics Lab), Elings Hall. The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. Cc bi vit c nh du. Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. 0000004076 00000 n Professor Jennifer Jacobs. Work Click Here to Login with UCSB Net ID. Lecturer. Jennifer Jacobs, Sumit Gogia, Radomir Mech, and Joel Brandt. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. Department of Computer Science. 2020. Jennifer Jacobs, J Method Fitness, will help you reach your goals no matter what they are and where you are, rom personal training, cycling, running, shadowboxing, movement and mobility, nutrition, etc. 0000005074 00000 n 0000008235 00000 n Hybrid craft: showcase of physical and digital integration of design and craft skills, Digital craftsmanship: HCI takes on technology as an expressive medium, Extending manual drawing practices with artist-centric programming tools, Supporting expressive procedural art creation through direct manipulation, Remote Learners, Home Makers: How Digital Fabrication Was Taught Online During a Pandemic, Direct and immediate drawing with CNC machines, What We Can Learn From Visual Artists About Software Development, Crosscast: Adding Visuals to Audio Travel Podcasts, Dresscode: supporting youth in computational design and making, Supporting Visual Artists in Programming through Direct Inspection and Control of Program Execution, Dynamic Brushes: Extending Manual Drawing Practices with Artist-Centric Programming Tools, Remote Learners, Home Makers: How Digital Fabrication WasTaught Online During a Pandemic, Algorithmic craft: the synthesis of computational design, digital fabrication, and hand craft, Making at a Distance: Teaching Hands-on Courses During the Pandemic, Learning remotely, making locally: Remote digital fabrication instruction during a pandemic, Multi-View AR Streams for Interactive 3D Remote Teaching, Dynamic drawing: Broadening practice and participation in procedural art. Jennifer Jacobs. He holds a PhD from University of California, Santa Barbara, where he was a fellow of the Regents of the University of California, and a Diploma from the Institute for Applied Theater Studies in Gieen, Germany, where he was a student of composer and director Heiner Goebbels and a fellow of the German National Academic Foundation. Pradeep Sen is a Professor in the UCSB MIRAGE Lab in the Department of Electrical and Computer Engineering at the University of California, Santa Barbara. MAT provides a great opportunity to explore this domain". Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. More broadly, she works on ways to enable art and design professionals to leverage their domain expertise to quickly and effectively develop personal software tools. He is the recipient of many prizes for his work, including the 2001 Golden Nica Prize at Ars Electronica together with Carsten Nicolai for their work, polar, and the UNESCO Digital Media Prize for Makrolab in 2004. Jennifer Jacobs worked as a Peloton instructor until her departure in 2019. Her group has recently developed and released AppScale - an open-source platform-as-a-service cloud computing system that implements the Google App Engine (GAE) APIs and that facilitates next-generation cloud computing research. His commission for the Seattle Public Library, "Making Visible the Invisible", begun in 2005 is a permanent installation consisting of algorithms that statistically analyze the flow of books and other media that are checked-out daily from the library to map out how library culture is changing over time. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technologys Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. Lisa Jevbratt's work - ranging from internet visualization software to biofeedback and interspecies collaboration - is concerned with collectives and systems, the languages and conditions that generate them, and the exchanges within them. 0000103163 00000 n TikTok; Twitter; Instagram; LinkedIn; 0000009268 00000 n In 2013-2016, he collaborated with programmer Sekhar Ramakrishnan to design SpatialChords, a front-end to Ramakrishnans Zirkonium spatializer program, based on a theory of "spatial chords" or geometric forms in three-dimensional sound space. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. In 2004, he began researching a new method of sound analysis that is the analytical counterpart of granular synthesis called dictionary-based pursuit (DBP). UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. Press, 1989), explored the relation between the imaginative experiences of literature and history. BA University of Oregon, Computer Science, Media Arts and Technology. Trained in computer science, design, and fine art, Jacobs received her Ph.D. from the Massachusetts Institute of Technology's Media Lab and completed her postdoctoral research in the Computer Science Department at Stanford University. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. tdewar@ucsb.edu From sourcing the best ingredients for our products to helping navigate insurance coverage and orders, the Kate Farms team puts people first, always. At UCSB he functions as professor at MAT, the Music Department (as Corwin Endowed Chair and Head of Composition) and the College of Creative Studies. Specialization: Data visualization, computation & photography, interactive media art installation, mobile robotic multi-camera imaging. The University of Georgia, +2 more Jennifer Jacobs Social Worker at Sir Moses Montefiore Jewish Home Greater Sydney Area. Ecohydrology and Ecoinformatics, PhD, Geography, University of Toronto, Canada He is a recipient of the National Science Foundation's CAREER award, for his work on "Anywhere Augmentation", which enables computer users to place annotations in 3D space wherever they go, employing the physical world as user interface. 0000007933 00000 n Professor Jennifer Scalzo jscalzo@ucsb.edu Office: ED 3224. MS Massachusetts Institute of Technology Professor of Computer Science. Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. CREATE released the real-time granulation app EmissionControl2 for MacOS, Windows, and Linux in 2020. Phone: (805) 893-2968. Composer Joo Pedro Oliveira holds the Corwin Endowed Chair in Composition for the University of California at Santa Barbara. In 2000, he joined the Stanford Graphics Lab where he did research on real-time rendering and computational photography. Nadya Peek, an assistant professor in the Department of Human Centered Design & Engineering, and her collaborator Jennifer Jacobs, assistant professor at University of California Santa Barbara in the Media Arts and Technology Department and in Computer Science, will develop computational tools to better support dynamic workflows and allow for . In 2016 he was awarded the Giga-Hertz Prize by the ZKM, Karlsruhe, and Sudwest Rundfunk, Baden-Baden. 0000001555 00000 n Snap, United States and Computer Science, Princeton University, United States, Michael Nebeling in Computer and Electrical Engineering. from Smith College. Professor Jacobs has authored numerous journal papers and chapters on a wide range of topics dealing with vision and the visual system. 1. Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. Google Scholar. She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . 3) Broadening entry points into computer science learning by blending programming with art, craft, and design. Previously, heworked at the Harvard Microrobotics Lab and the ETH Multi-scale Robotics Lab. Media Arts and Technology, Computer Science, University of California, Santa Barbara Santa Barbara, CA 93106. Providing UC Santa Barbara alumni a place to network and connect with fellow Gauchos; mentor and recruit students and young alumni; advocate for the UC system on a local, state or federal level; and much more. Her research has been presented at leading human-computer interaction research venues and journals including UIST, DIS, SIGGRAPH, and, most prominently, at the flagship ACM Conference on Human Factors in Computing Systems (CHI), where she received two best paper awards and one best paper honorable mention award in the past four years. Jennifer Richard (Jacobs) Marketing Manager - Aortic & Peripheral Vascular Health, Australia & New Zealand at Medtronic Greater Sydney Area. ALL RIGHTS RESERVED. University of California, Santa Barbara. . As a historian, McCray is fascinated by the visions of the future that litter the past. Add to Calendar 01/19/2023 02:00 PM 01/19/2023 03:00 PM America/Chicago Jennifer Jacobs (UCSB) - Expressive Computation: . Jennifer Jacobs researches ways to support expressive computer-aided design, art, and manufacturing by developing new computational tools, languages, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. 0000001180 00000 n Expressive Computation Lab website: ecl.mat.ucsb.edu. Before joining the faculty at UCSB, he served as postdoctoral researcher in the DFG SPP "The Digital Image", associated researcher in the Critical Artificial Intelligence Group (KIM) at Karlsruhe University of Arts and Design, and Assistant Curator at ZKM Karlsruhe, Germany. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional . Assistant Professor of Media Arts and Technology. From 1990-94 he was Artistic Director of the Institute of Sonology at the Royal Conservatory in The Hague, where from 1994-2006 he was Professor of Composition and Sonology. Since 2015, he has hosted The Unknown Territories, a weekly radio broadcast about contemporary science and experimental music. Students will be assigned weekly readings drawn from Fine Art, Computer Graphics, Computational Design and Human Computer Interaction texts.Students are expected to complete the required readings and a reading reflection slide by Wednesday at 6pm, as well as engage in group discussions in class on Thursday.Students should also leave comments on at least 2 other reading reflection from their . He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. Natalie Holdren A state-of-the-art research and teaching facility. Department of Electrical and Computer Engineering. Assistant Professor (Computational Craft and Haptic Media) 0000001761 00000 n of Chicago Press is Local Transcendence: Essays on Postmodern Historicism and the Database. kblackwell@ucsb.edu Dr. Kuchera-Morin is a composer, Professor of Media Arts and Technology and Music, and a researcher in multi-modal media systems, content and facilities design. Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). Jennifer's research is situated within the context of teacher education. 0000006065 00000 n Research Director CREATE, and Media Systems Engineer, AlloSphere Research Group. brennan boesch career earnings cameron boyce funeral cameron boyce funeral Dr. Jacobs received her Ph.D. from UC Berkeley and her B.A. hb```b``9sAc[XgzIw6DeaXP!jU"3g2Fss4>y~e+sKCLV$*>3-Gy5bw/k U5 Dr. Jacobs is a faculty member at UC Santa Barbara in Media Arts and Technology and Computer Science (by courtesy). Jennifer Jacobs, Joel Brandt, Radomir Mech, and Mitchel Resnick. Marcos Novak is a pioneer in the field of virtual architecture. Sarah Jacobs Alan Liu is Professor in the English Department at the University of California, Santa Barbara, and previously a faculty member in the English Department and British Studies Program at Yale University. AlloSphere Research Group. Defining and building the future of computer science, from theory to applications and from science to society. Jennifer Jacobs (UCSB) Expressive Computation: Integrating Computation with Manual and Physical Making, Masters Program in Computer Science (MPCS), Masters in Computational Analysis and Public Policy (MSCAPP), Equity, Diversity, and Inclusion (EDI) Committee. 0000009548 00000 n 1,650 posts. Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. Media Arts and Technology, University of California Santa Barbara, United States, Andrs Monroy-Hernndez. Job 1, Jennifer Jacobs' debut program with The Beachbody Company, invites you to give your health the same commitment you would any other job for real fitness results in just four weeks. JENNIFER JACOBS Updated: December 9th, 2022. He recently received the NSF CAREER Award, the NASA Early Career Faculty Award, and the Packard Fellowship. Journal of Experimental Biology 204 (14), 2439-2446, 2001. . Public figure. Office: ED 2218, History-Social Science M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. She also received an M.F.A. Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. Connect. His publications include several articles in journals and a book on 20th century music theory. Her research examines ways to diversify participation and practice in computer programming by building computational tools for art, design, digital fabrication, and craft. Copyright 2023 The Regents of the University of California, All Rights Reserved. University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. She also received an M.F.A. In 2010 he was awarded the lifetime achievement award from the Society for Electro-Acoustic Music in the United States (SEAMUS). Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. In 2010-11, he shared a Collaborative Research Fellowship from the American Council of Learned Societies with Cyrus Mody (Rice University) and Mara Mills (NYU) which will help support the writing of this book as well as a new project on "high tech intellectuals". ventana canyon golf membership fees; what ships are in port at norfolk naval base? Recently published from Univ. Jennifer Jacobs, Assistant Professor Media Arts Technology Program Gregory Johnson, Professor Religious Studies Georgios Koutroulakis, Lecturer PSOE Physics . The lab is based in the California NanoSystems Institute and is affiliated with the Four Eyes Lab in MAT and Computer Science and the Center for Interactive and Visual Computing (CIVC). He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. Technical Director, AlloSphere Research Facility. New interface technologies become new tools for musical and artistic expression. Verified email at ucsb.edu - Homepage. Undergraduate Diversity Officer. Biography. Professor Emeritus between music and language, and the visual, and would welcome collaboration with MAT students in any of these fields. amber.moran@ucsb.edu 0000003473 00000 n Jennifer Jacobs and Amit Zoran Hybrid Practice in the Kalahari: Design Collaboration Through Digital Tools and Hunter Gatherer Craft. Faculty & Staff. Cc bi vit sau y c hp nht trong Scholar. The lab focuses on computational-based creative explorations in the fields of data visualization, visual language, machine vision, computational photography, interactive digital installations and related directions addressing the impact of computation on visualization. Her years of experience in digital media research led to the creation of a multi-million dollar sponsored research program for the University of California, the Digital Media Innovation Program. 51:6000-6019. Interested candidates should contact us. I am an Assistant Professor at the University of California Santa Barbara in Media Arts and Technology and Computer Science (by courtesy), where I direct the Expressive Computation Lab. A new revised edition of The Computer Music Tutorial (MIT Press) is scheduled for publication in Spring 2023. Her research lab investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. Curtis Roads creates, teaches, and pursues research in the interdisciplinary territory spanning music and sound technology. Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. JENNIFER JACOBS Updated: Oct 21st, 2019. 0000008750 00000 n She has published at the most selective HCI and VR venues such as CHI, UIST, VRST, and DIS where she received multiple best paper awards and honorable mentions. PhD Massachusetts Institute of Technology 223k Followers, 1,160 Following, 1,650 Posts - See Instagram photos and videos from JENNIFER JACOBS - Wellness Fitness & Nutrition (@jmethod) jmethod. This collection of links will get you to a load of information and resources you may find helpful while you're here. Please enable it to continue.
